By inviting Marieke Peeters, the residency returned to the theme of stories—particularly forgotten or nearly lost local legends and myths. Drawing from these narratives, Marieke created a one-night Haunted House (Obakeyashiki) in the Kyu-Konishitei building, blending folklore, performance, and social reflection. Her work, rooted in the tradition of Kaiki Eiga (Japanese horror cinema), explored horror as a way of passing on knowledge and life lessons to younger generations.

Her research into tales of sacrifice led her to reinterpret the Shiomi Legend, weaving it into a contemporary narrative. Marieke scripted and designed every element of the haunted house—from sound and choreography to set and costume—and later exhibited the props and artworks for three weeks.

To expand on her approach, she organized film screenings and lectures on the artistic and cultural value of horror. The year’s broader theme on Akiya (vacant houses and lots) also prompted a public talk with Hiroki Nakao (Report Sasebo) and Isao Kanemaki (Paradise Air), exploring how art and culture can activate unused spaces.

Finally, Hoteiza and Studio The Future created a Memory Game in collaboration with Ojika residents—a playful tool for discussing the island’s growing number of vacant lots and imagining creative, collective responses to change.